May 21, 2026
The Power of Club Face Control with Mike Malaska
Mike Malaska's goal is to help people understand golf, not just play it. He joins Josh Karp and Corrected Mistakes to discuss building a swing around where the club face hits the ball - how that impacts flight, accuracy and spin.
To learn more about Mike’s golf instruction check out his website: https://www.malaskagolf.com/
For exclusive content and first access check out Corrected Mistakes on Substack: https://substack.com/@correctedmistake
Former GolfSmarter host, Fred Greene has been nominated for the 2025 Audiocaster of the Year by the Bay Area Radio Hall of Fame Vote now at BARHOF.org. Voting is open through July 1.
Please welcome our new host of Golf Smarter, Josh Karp! Fred has retired and will be working on his game with more intention than ever. You can stay up-to-date with Josh on all the GolfSmarter social accounts or by reaching out at karpj2323@mac.com. To stay connected with Fred reach out at golfsmarterpodcast@gmail.com.
WEBVTT
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The way we teach people to play this game, and
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the assumptions we make of who they are initially destroys
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their potential to ever really get good. Because at the
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end of the day, whoever has the best face control
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when they play golf wins. I don't care what the
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swing looks like. Look at the tour. There's a lot
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of really weird looking swings that are really good. Why
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because through the ball they control the face and they
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can hit the shots they want to hit under pressure.
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Today I'm talking to Mike Malaska, who is a PGA
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National Teacher of the Year who played in two US
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Opens and was an All American at Weaber State is
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the correct pronunciation, correct, that's correct. Called it Weber until
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I was fourteen, so I always never quite know if
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I got it right. I got well, Mike, thank you
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for being here, And I wanted to kind of start
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by asking you. You know, I listen to you on
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talking about the role of the arm and the hands,
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you know, and the wrists in the swing, and so
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much current instruction is based on everything else, it seems,
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so you know, talk a little bit about you know,
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your your view on how those play into the swing
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because everybody tells you, you know, don't swing with your arms,
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don't swing with your hands, swing with your you know,
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with everything else.
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Well, okay, let's talk about how you learn things. So
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when you learn motion patterns hit, throw, catch, it's it's
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called tactile learning. So you learn from hands, fingers, toes
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and feet inward. That's how your body learns patterns. This
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doesn't learn how to make this move. I mean that's
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a misconception to start right relative to physiology, anatomy, kinesiology,
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and how you learn learning things. So you know, this
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doesn't control this necessarily. This learns what to do. This
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figures out how to accommodate what this is doing. So
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if your hands are trained and they're on the club,
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and your hands and arms are trained to do what
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they need to do with the club, then your body
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can start play at a bigger and bigger role. But
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your hands still have to feel and adapt and understand
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where the club is and be able to direct the
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momentum of the club to the ball. You can't just
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stand up and turn back and turn through and the
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club is going to run into the ball. The physics
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behind it is impossible. You'd miss the ball by a
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foot above it. Okay, So something has to sense where
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that club is in space and time, and as you
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move that something has to direct the momentum into the
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correct arc because the arc that you're initially on, if
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you just unwind, you're not going to come close to
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the ball because of the physics of circles.
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You know.
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So when they start talking about body controls, your hands
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and arms, I've seen very very few people who get
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a lot better to its. Now, yeah, your body has
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to move. It's it's a blend. It's a blend of
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two things, and it's emotion. There isn't necessarily one that
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overrides the other. But initially all these tour players, I mean,
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I just did an interview with Nicholas and Jack was
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talking about when he hits shots and what he sees,
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and he says, well, the first thing is I fear
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the shot I want to hit, And he says, and
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he gets right up in the camera and he goes
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and then I see it in my fingers. I can
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feel what the club's going to do. And then once
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I feel it in my fingers, my hands and arms
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figure out what they need to do, and my body
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then taps in and accommodates what I'm doing with my
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with the club. That's freaking magic. And you see the mistake,
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the mistake we make as teachers is we assume levels
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of competency hand eye coordinates and relative to the club
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in the face that these people will working there don't have,
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and so the information assumes those levels of control. Now
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I can stand up and put my hands on the
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thumb of you, I could do anything I want to
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do with my body, and my hand could go oh okay,
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if you're going to do that, I'm going to have
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to do this to get plucking the ball. But again,
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I've been I've been hitting.
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Golf balls and baseballs and tennis balls and getting and
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throwing things since I was three four years old, So
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I'm I'm pretty good with this stuff, right.
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So so when I look at people, so when I
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get to a student, I assess how good are they
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with their hands and arms with little teenie shots to
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control the space and make it work.
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If they can't do yeah, they have to learn that,
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right well.
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So you know, I mean, first of all, I mean
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it's it's really interesting because you know, obviously you know
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all the you know people you know.
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I'm trying to.
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You know, most people who you know, or a lot
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of people who are playing and maybe maybe that particularly.
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You know, most of us grew up playing baseball, right,
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We grew up playing basketball, you know, even if we
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weren't any good, you know, you grew up doing that.
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And that's really where you know, you have that kind
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of athleticism and that hand eye that you developed. And
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nobody ever said, you know, when you're playing baseball. You know,
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at least when I was growing up, nobody ever sat
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there and said, well, you got to rotate, you know,
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through through your swing, right, you kind of felter your
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way through it.
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Yeah.
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By the time you're five years old, okay, you when
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you understand the human body. By the time you're five
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years old, you've learned the four basic skills you need
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to do any athletics thing you want to do the
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rest of your life. Hit, throw, catch, and kick. Now,
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once you look, once you learn those patterns, you have
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a DNA for how you do those patterns the rest
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of your life. It's about applying those patterns in different
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planes of motion and applying it to a different title
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called tennis or baseball or golf or whatever. It might be,
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but your body is a pattern machine. So the other
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thing about individual humans is we all have a DNA
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for motion. How does our body sink? And when you
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take the golf club out of it and you have
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somebody do a certain pattern, take a stick and hit something,
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and you watch how they transition and how their body
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moves or how they throw a ball, and then you go, okay,
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that's their DNA for motion. Now, I've never seen anybody
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that I've had throw a ball or hit something take
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it back and come over the top and use their shoulder.
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Everybody sequences and moves perfectly. So why all of a
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sudden when they get to golf.
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Does that go away?
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Well, A lot of it's because of the way golf's
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been taught. A lot of it is because the ball
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is still, so people's feed are still. And in all
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sports you play, when you throw a ball, or you
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hit a ball, or you hit a tennis ball, you
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feed go steps swinging, step swing, so you're stepping, okay,
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it's a dance step. And then all of a sudden
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you tell somebody, Okay, we're gonna put your feet here,
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and we're not going to move your feet, but we
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want you to sequence the way you used to. That's
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very difficult to do. So you actually, in my world,
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you actually have to allow people to feel the motion
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that you want the way they do it with stepping,
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and then you gradually decrease the stepping. All right, because
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if you start static feet and say, okay, we're going
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to go back, we're going to change directions and you know,
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but don't move your feet, I'm telling you you're you're dead.
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Because people don't. People do not have that much what
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they call spatial awareness, approbe perception. And so so where
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the industry I think goes wrong is first static feet,
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second trying to change somebody's natural movement patterns because they
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don't even know what their patterns are. They don't look
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at them. They have an idea what their pattern should be,
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and they try to get everybody closer to the pattern
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they think is ideal. And that's I mean, if I
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had to summarize up my whole career, I did that
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for a while. I understood movement, I understood biomechanics, I
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got muscle firing patterns, I got all that stuff, and
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I taught it for two or three years, and quite honestly,
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it was the worst production I'd ever had out of students,
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and it was the worst that I'd ever played trying
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to do the same thing. So I knew there was
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something wrong because I couldn't even do it. I mean,
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I could do it on the range, but I couldn't
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go out on the golf course with any pressure on
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me at all and pull off what I was trying
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to teach people to do. So I'm going, what what
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am I doing here? I mean, I can't even do
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this on the golf now. On the range, like I said, Okay,
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no pressure, two or three balls, no big deal. But
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it's out on the golf course under pressure with a
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shot that I was uncomfortable with, which is going to
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happen most of the time. All of that just went
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to hail on a hand.
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Is it a question of over just an overcomplication of
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telling people how to move their bodies that puts you
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in your head when you're on the course, you know,
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I mean, because I mean that I can honestly say,
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you know, like from my experience, anytime I'm thinking about
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my swing, like the other day, I could not drive
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the ball straight, and with every drive that didn't go straight,
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and I was hitting everything else great and the you know,
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and I really try hard not to think, and then
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I'd be trying not to think, you know, and I'd
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be so trapped and trying to figure out what the
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motion was to just get the ball in the fairway.
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Well, see, first of all, you made a mistake there
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with what you said trying not to think. You can't thin.
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What you have to do is you have to be
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thinking about the right things. So when you're trying to
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hit the driver in the fairway, you have to first
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think about the motion, and you have to tie motion
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to face control through the ball. See when I watch
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people make practice swings, they stand up and make a
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practice swing and I videotape it, and the swing looks good,
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But when I slow it down, the face through where
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the ball is is all over the place. So when
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they get up and they try to duplicate the field,
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they might duplicate the motion, but the motion's not tied
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to the face. Every time, every single time a tour
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player moves a club, I don't care if it's one hand,
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two hands, whatever they're doing, and I film them and
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I film myself.
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I make a swing right through.
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Here where the ball would be that club face is
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absolutely perfect. I film amateurs making practice swings and the
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face is all over the place.
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And as you know, it.
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Only takes two or three degrees with a driver to
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take a ball from forty yards this way to thirty
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or forty yards the other way.
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So is it?
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Yeah?
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Okay, So the next time plan you type motion into
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face control, talk.
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About that I'd like because I'm interested in now.
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Okay, So so you feel the motion that you want
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and then you say, okay, there's the motion I want.
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Now what is the club face? What does the face
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have to feel through the ball to get the ball
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to go where I want to go? And then once
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you go okay, there it is, then you walk up.
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And then that's when you you don't shut down, but
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you allow yourself to duplicate the motion that you just made.
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So you're very focused on the feel of the motion.
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So the next time you're out there, you know, you
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get a feel for the motion, and then you tie
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the motion to feel in the face through the ball.
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And then once you go okay, there it is, then
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you walk up and set up and allow yourself to
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stay really focused on duplicating the motion that you just produced,
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not positions, the motion and the face through the ball.
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Motion and face through the ball to make the ball
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be where you want it to go. See, this is
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what controls the face. So when they say take your
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hands out of the game, well, I understand what they're saying.
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You want to get to where you're swinging that you don't.
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It doesn't require your hands to do much to make
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the face work, but your hand or your only connection
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with the clubs. So you have to have a sense
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in your hands and fingers. Okay, what am I going
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