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I'd basically have a one hundred percent success rate, Like
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no one gets worse, they all get better. Talking about
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your boat, I had a seventy I think he's seventy
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two years old when I started working with him, and
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he thought, you know, he loved golf, but he thought,
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this is it. I'm sixteen handicapped, I've lost it. I'm
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never going to get good again. Within eight months, he
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would back down to a seven. And it wasn't from
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any magic stuff. It was providing the forces on the
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ball that the golf ball likes.
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So today I'm talking to Bradley Hughes about Bun Hogan,
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Sam Snead and teaching a different way of teaching the
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golf swing. Bradley, thank you for taking the time to
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do this. I'm glad you're here.
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Yep, You're welcome. Looking forward to it.
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So I just read an article that you wrote. I
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know you wrote a book about Hogan, but talking about
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people trying to swing like Hogan, can you just talk
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a little bit about you know, Hogan swing and why
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it is so incredibly difficult for I think you said
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like nobody is really actually capable of doing it, at
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least you know an amateurs talk a little bit about that,
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and you know, tell us, you know your impressions of
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people trying to use Hogan swing.
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Well, I think it's possible.
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But you've got to understand that when people diagnose Hogan's swing,
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there's some footage, you know, probably not great footage of
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his swing. You know, in action, there's a little bit around,
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certainly not high definition, certainly not slowed down enough that
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you can really pinpoint a lot of things. So most
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Hogan swing thoughts are based off still photographs.
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Pictures of Hogan. Now you've got to remember.
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That a picture is just a spot in the swing.
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There's something that came before it, and there's something that's
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going to come after. So when you see a picture,
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a lot of people try and pose that picture. They
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try and get in that position. And whereas that position
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is something, like I said, that's already happened and something
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that is going to happen.
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So you can kind of.
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Put it down to still photographs or a moment in time,
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and they're not just a moment, they're not just what
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you see. I think a lot of people, you know,
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Hogan had the big angle coming down a.
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Lot of lag as he would call it.
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There is a jury out some He talked about having
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a cup wrist, and a lot of people try and
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say that he had a bow risk. But again that
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relates back to the still photo because basically, when you
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are coming down with a cupped wrists and you're releasing
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your forearms like he I believe he did, he puts
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force in and that cup now starts to flat.
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Now that becomes more of a bow, but.
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It's more of a achieved by force rather than achieved
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by trying to do it.
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So that's why a lot of people have trouble.
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You know, obviously he has a he had this big
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long back swing whether his hands, you know, the club
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was way down his back and everything.
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People try and do that.
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And there's there's you've got to remember, you know, even
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though there's you know, he talked about in the one
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of those Golf Life magazine I think it was, he
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came out with his secret, as he.
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Called it, right, multiple secrets for it.
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Last time I checked, he had like twenty five different
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secrets and they all blend in together. You know, he
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had an extra spike in his right shoe. He he
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talked about the you know, the way he fell in transition,
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he went into a straight or right leg, and as
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he pushed into that leg, he kind of fell laterally.
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Now people are teaching that, but they're not teaching it
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the way he did it. They're basically doing a bent
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right leg and then trying to get everyone to get
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over there like he did. So there's a lot of formation,
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not without good intention. You know, you can only he
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can only teach what you know.
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And I did a.
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Big study after I stopped playing golf in two thousand
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and eight. And I will say that in my golf career,
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even though I didn't win as many tournaments, I would
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have liked my short game one and as great as
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it could have been. But I was always recognized as
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a good ball striker, and so I had the inside information.
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Maybe I didn't know what I was doing at the
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time to be able to do it, to be able
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to say what I was doing. But when I started teaching,
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I went deep dive into a lot of different swings
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my swing. Obviously Hogan swings sneed swing, but I also
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went into swings that weren't popular, like an Arnold Palmer
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swing or there was a guy in Australia called Peter
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senior used to win every second or third tournament. He
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had an ungainly looking swing. So I kind of tried
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to look at what these not so good swings or
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not revered swings, what they were doing that made them
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so good, And the similarities were pretty much as there
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was certain components that they did in their swing that
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even though they all look different and we should look
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different because they're all different sizes and shapes and builds
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strengths in different areas. You know, I base stance with
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off my shouldered with for different clubs, so my shoulders
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might be bigger than someone else's. We're all going to
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look different. So I think that's one of the good
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things I've never done is if you get a lesson
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off me, you're never going to see me.
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Put Adam Scott on the.
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Other side of the screen and say, now look, Adam
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Scott's here and you're doing this. You should Well, you
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can't do that because everyone's different. But basically think I
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I'm not sure where it is on one of my websites,
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but I do have a comparison of myself and Ben Hogan,
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and it's almost identical, Like it's really really close to identical. Now,
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having said that, it's from the top of the swing
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to the finish, it's not my back swing. My back
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swing was very different to his, but we did almost
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the identical same weight shit, the load of the club,
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that the arm release, the body overtaken, all these different things.
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So from that standpoint, I think.
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I have a pretty good grasp on what he did
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because I'm not guessing. I'm actually basing it off something
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I can do, and I've taught people how to not
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hundred percent again look like Hogan, but create the dynamics
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that he did. It's the important thing because the golf
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ball doesn't really care what your swing looks like. It
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cares about the dynamics that are put on the ball
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because the ball can't make.
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Up it's mine.
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Say hey, Josh, I'm just going to hit it over
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there because you're hitting the ball. You can't do that.
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It's got to do what you tell it to do.
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So how you know, are you obviously like you know
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you're playing, I mean, you were a terrific ball striker.
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How did you develop you know your swing? Did you
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have a teacher or did you were you kind of
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self taught or how did you you know? Kind of
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come about your swing.
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I was very much self taught, but I was a
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good imitator. So I was very very good at Australian
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rules football. If anyone's ever watched that game, I got
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signed to play that when I was fifteen, I got
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signed to play pro. In that I could play cricket,
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I could do the beanbag toss like I can do
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most sports. And it's not because I'm more talented than someone.
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I think I was very observant, Like I could see.
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I could see things that were happening, Like even to
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this day, if I kicked the football up in the air,
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you know, twenty yards in the air, I could tell
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within ten foot of it touch in the ground or
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hitting the ground which way it was going to bounce,
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because I could tell by the spiral of I can
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see kind of the things behind what you're seeing. And
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I think that's what really helped me with a golf swing,
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in that I could see things that were happening, but
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I wasn't putting that down to what I was actually seeing.
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I could base both sides of that story or that
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photograph what was going on. And I also did have
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the tremendous opportunity when I was very young, like twelve
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years old. I first met Greg Norman and he'd let
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me walk around practice rounds with him. So I would
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walk around the practice round with him, watch him, him
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and his caddy and me, Like there was no one
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else watching because it was early and no one. No
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one went to practice rounds back in that day. They
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just went to view the tournament. So I walk around,
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I would watch him, I would ask him questions. I
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would you know, get some observations off him, what he felt,
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what he thought he was doing.
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And then at the end of the day, I'd.
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Go back to my golf club and I'd go to
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the range and I'd work on all these things. So
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technically I based my swing off Greg Norman because he
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was aussy god at that time when I.
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Was growing up and getting.
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And it just worked, you know, I had I had
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the right foot slide like Norman had.
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Now, I didn't mean to do it.
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It just happened based on me swinging a golf club
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and using some of the logics that I.
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Kind of saw he had talked to me about.
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So that's how my swing was back. So I didn't
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have instruction, but we had a coach for our state team,
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but they didn't do a lot. They kind of just
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kept an eye on things and kind of told you
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how good you were and just said, all right, let's
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go win and things like that. As far as swing philosophies,
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I really had none. I just had Greg Norman. But
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Greg Norman copied off Jack Nicholas, so it was a
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pretty good pedigree, right. And then I also would mess around.
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I'd have a Sevy Bellisteros swing, and I had a
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curt a strange swing and a kind of feel of
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different players. But my home built swing was definitely based
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off Greg Norman. And he was obviously phenomenal golfer and
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striker of the ball. People still talking or about how
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well he drove the ball.
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Oh yeah, no, he was. I mean I remember when
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he was, you know, on top and he was unbelievable
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to watch, I mean, you know, and then hit the
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ball just unbelievably. Now and now I know you you'd
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mentioned somewhere that you know, you you'd kind of and
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you just talked about it, you know, like his footwork
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talk a little bit, you know, just quickly about you
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know what about Norman's you know, we're the things that
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you know, you kind of copy it or that you
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picked up and what was it about, you know, his
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footwork that you thought was you know me, It's all great, so.
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Anyone can go back and watch this. But I'm talking.
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You know Norman in the eighties, probably up to mid nineties,
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he changed his swing a little bit after that he
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got shorter and round her and when he worked with
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Butch haarm and Butch Harmon actually wanted to take that
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footwork away and he kind of succeeded. But now today
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we have Scottie Chefser doing it right. Gary Play used
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to do it, Ben Ogan did it. You know there
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was this, so it's not it's not. And I actually
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laugh at watching people on social media or YouTube trying
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to do the foot slide move because again they're actually
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trying to do it, whereas when I did it, I
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didn't try to it. I didn't even know I did
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it right. He was just a pressure force. I'll tell
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you how it works. I would watch Greg Norman, like
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I said, you watch him back in the He's in
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the early nineties before he took the club away.
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You could physically.
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See himself push himself into the ground, so he was
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building a pressure into the ground, which I think helped
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him coordinate this wide takeaway. So that's what happened to me.
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So when you create a wide takeaway, you created a
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lot of download and you have to really use your
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feet to use that download. You know, most people angles
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are great, but if you can't get rid of them properly,
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they're worthless. You know, they're not worth it. So this
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is what Hogan did as well. They physically pushed themselves
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into the ground. So when the transition came and they
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want to push, because remember if I'm throwing or jumping
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or shooting a basketball, I'm going to push into the
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ground to do that action, so that there is an
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automatic push in the ground. But what people do is
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they don't build enough to start so when that push comes,
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their body sort of jumps up and down, so they